Post by account_disabled on Mar 12, 2024 5:43:08 GMT 1
Raul Leal lives and works in Rio de Janeiro. He attended courses at the Escola de Artes Visuais do Parque Lage RJ from 2005 to 2011 in painting, drawing, history and art theory courses, with João Magalhães, Daniel Senise, Suzana Queiroga, Anna Bella Geiger, Fernando Cocchiaralle, among others.
He attended the Alice Group under the guidance of Brígida Baltar and Pedro Varela in 2011 and 2012, a study group with Ivair Reinaldim in 2012 and 2013 and a study group on contemporary art with Daniela Name in 2014. He is a specialist in cultural management at Fundação Cecierj RJ .
The artist participates in Czech Republic Mobile Number List the Salon with a series of engravings.
Text by the artist about the works:
The series “There was nothing to write” is made up of drawings on wooden plates. I use a pyrograph and monotype to create the drawings on the burned wood. I organize the elements based on memories of places and experiences, they are always elements of nature with a strong emotional appeal for me.
Wood is a fundamental element in the development of civilization, it has been present in human daily life since prehistory, it is a material impregnated with memories, present in the artist's studio since always, in the supports of canvases, brush handles, tables, chairs and other materials.
Linked to religiosity and the natural world, it is a material that evokes a lot of respect. I think that all this atavistic charge is reflected in the organization of the images in arrangements that refer to an overlap of temporalities.
He attended the Alice Group under the guidance of Brígida Baltar and Pedro Varela in 2011 and 2012, a study group with Ivair Reinaldim in 2012 and 2013 and a study group on contemporary art with Daniela Name in 2014. He is a specialist in cultural management at Fundação Cecierj RJ .
The artist participates in Czech Republic Mobile Number List the Salon with a series of engravings.
Text by the artist about the works:
The series “There was nothing to write” is made up of drawings on wooden plates. I use a pyrograph and monotype to create the drawings on the burned wood. I organize the elements based on memories of places and experiences, they are always elements of nature with a strong emotional appeal for me.
Wood is a fundamental element in the development of civilization, it has been present in human daily life since prehistory, it is a material impregnated with memories, present in the artist's studio since always, in the supports of canvases, brush handles, tables, chairs and other materials.
Linked to religiosity and the natural world, it is a material that evokes a lot of respect. I think that all this atavistic charge is reflected in the organization of the images in arrangements that refer to an overlap of temporalities.